Poetry and Racism

I don’t know how to talk about a lot of things so I usually end up talking about poetry. Poetry freezes a moment, looks deeply at the past and present contained in one interaction, shares a story that is not just of one individual in one time period, but a collective experience spanning generations. Poetry weaves perspectives and intentions into a more complete narrative, reflects what we say all the time as individuals and society without knowing it.

Poetry is especially important in moments where we wonder how a police officer can kill an unarmed man on camera with only the videographer facing punishment. These actions, these collective responses, are rooted in millions of everyday moments where people are complicit in social and political systems of thought that place the value of some human beings above others. I look at how I move through the world, ways that I subtlety, casually invalidate the experiences of others. I try to see the fear in me that was in Daniel Pantaleo, Darren Wilson, so that I will NEVER let it drown out voices of people who are expressing the pain my actions cause, directly or indirectly. I try to engage with it, take away its power, so it will never make me think that because I was born into a certain amount of privilege, I am more deserving than others of basic human rights.

It would be so comfortable, believing that these officers are just outliers, or that thousands of protesters just have a martyr complex, or that this is somehow not a symptom of a deeply problematic relationship we have with race in this country. So I turn to poetry for the truths that are uncomfortable to hear, and that must be unbelievably discouraging to live from day to day. I turn to poetry to hear the perspectives mainstream media tells me aren’t credible, despite their lived experiences. I try to learn and to talk about these things, because I do not want to look back in years to come at this incredibly important moment, and remember how fear kept me ignorant and silent.

http://www.pbs.org/…/using-poetry-uncover-moments-lead-rac…/

http://www.vidaweb.org/reports-from-the-field-white-people…/

30/30

The Spotlight and the Cage

You don’t know me now
I made it out somehow, I cut
myself from who I was when I
was always in your gaze

She’d dance and she would hide
She’d hold you like the tide, she’d try
try to wash you of your sorrow,
Try to carry all the weight

And oh, I know she
had to go, but I
miss the self that I thought I could be in your gaze
In the spotlight and the cage

We talk about the rage
The cities set ablaze, you tell me
not to get caught up,
that I can never end the hate

If I learn anything
from years of listening to you,
I won’t keep helping someone
who mistakes their fear for fate

And oh, I know I
had to go, ‘cause I
missed the self that I never could see in your gaze
in the spotlight and the cage

I don’t know me now,
the script I write without you,
how could I cut out the part of me
that would not let you down,
while it dragged me to the ground

And oh, I know she
had to go, but I
miss the self I could finally see in your gaze
I miss the spotlight and the cage

29/30

Adam

Something was missing
from his anatomy. He searched
his body without knowing
what he was looking for,
what it would feel like,
how large it was.
His hands always landed
on his smooth stretch of belly.
That had to have been significant.

How lonely, to bear no mark
of being tethered to anything.
How relieved he felt,
seeing Eve, cheeks full of apple,
handing him an answer to consume.
How incomplete it felt,
being perfect.

28/30

Each day is a rewrite of the rest so far.
Today, I write myself patient.
I give myself breaths that fill my lungs
like two plump balloons.
I float rather than walk.
When I open my mouth,
the sound of light rain on leaves comes out.
If it hurts where the skin is stitching back together,
I name it lovely and divine.
When I look at myself,
I do not use words like broken, or burned;
in fact, I try not to use words at all.

Tomorrow, I will be angry again.
I will name the violence in and around me,
make my own fire and watch what lights up.
I will not be afraid of hearing, of creating, dissonance.

But first, I need a bed as soft as a night sky.
I need the harmony of breath.
I need a peace so deep
I may move in and out
without kicking up the mud,
without making a ripple.

27/30

Ten Things I’ve Been

1. The hunter.
2. The man on the screen.
3. The fire of a hungry torch.
4. The stone of the walls.
5. The sea cradling relics in its arms.

6. The deer.
7. The man on the screen.
8. The smoke in her lungs.
9. The sound trapped inside.
10. The mist rising from the awakening earth.

25/30

1.
Before something is born,
there is discomfort.

There is nausea, vomiting,
the body cleansing itself of toxins.
There is the swelling of feet and joints,
the stretching and growing of protective tissues.

There is pressure on the organs and diaphragm,
pain in the breasts and back.
There is the widening of blood vessels,
the feel of flinging limbs against the walls of the uterus.

Before something is born,
it is carried.
Before something is born,
it acts on the body that holds it,
preparing for the act of radical severance.

2.
The videos and photos show city after city,
signs and hands in the air,
masks held over mouths.
Hundreds of thousands of bodies
bearing weight older than their bones.

The shops are boarded up.
The newsfeeds are saturated with names, verdicts, quotations.
There are voices advocating change,
silence hiding from it.
There is stretching, swelling, discomfort,
as everyone is confronted by truth
they must make room for,
or else shut doors against the burning streets.

3.
We know not what we carry,
but it is much more than the past,
much greater than what we already contain.

23/30

I was wearing my brother’s pants
when I got in the accident. The denim was broken in
to where it felt like my own skin.

In the right hand pocket was a mala,
prayer beads made of aquamarine,
made by one of my best friends.

In little black shelf above the gearshift
was a ring made by another dear friend,
a protective crystal glued to a metal band.

The rips in the knees were the first things I saw
through the swirling white smoke of the airbag.
As I sat on a bench nearby waiting for the police
and looking at the passenger side, completely crushed in,
the beads slid through my damp palm.
The ring lay exactly where I’d left it
when I went through the front seat
picking possessions out of broken glass.

How powerful, to wear each other
over our own bodies.
How lucky we are,
being delivered each day by hands we trust
into a sudden and dangerous world.

22/30

Stuffed Cat

It wasn’t what it would have expected to become,
but it had no memory of ever having
expected anything. It just was. A strange
assortment of grey, fuzzy cloth, thread,
stuffing, and plastic. The junction of
the head and body pieces was feeble,
the head flopping weakly to one side.
The little girl fell asleep clutching it
with all of the strength of her tiny arm,
pressing it firmly to her side. Children
are so clumsy with life. It spills out of them
and stains everything they look at. The more
faded its eyes became, the more energy
collected in its soft fibers. The secrets she
whispered into its ears, the songs she sang
as she toddled, holding it by one paw.
It started to feel her terror when the lights
were turned off, wonder with her
in her solitary flights. It became its own form,
the giver of the comfort that she needed,
that she learned she could create.